Thursday, June 24, 2010

SONGBIRD

You awake suddenly in the night and there is nothing.
No sound.
Then slowly, haltingly at first, just outside the window.

A songbird. Beautiful.

Now building.
Not especially loud, but clear.
A simple scale, a handful of notes.
Now repeating.

Beautiful.

You lie there awake and there is nothing else.
The notes of the songbird go on, as they repeat you begin
to anticipate each one.

There is a syncopation to them and, as there is nothing else, the realization soon comes to you.

The song is everything.

As you come to know this the beauty fades.
The voice of the songbird becomes irritating.
It is the middle of the night.
With this noise there can be no sleep.

You lie there awake wishing the noise would stop.
Even as you wish it you hear each note before it exists.

Then it is gone.

The songbird has stopped.

You lie there awake and there is nothing.
Now the absence of sound becomes a sound itself.
There is a presence to the lack of sound that becomes more powerful with each moment that passes.
The songbird that took away the silence has been taken away by a new silence.

You lie there awake in silence wishing the noise would cease.
You lie there a very long time.
You lie there still, to this very minute of this very day, trapped between the presence and the absence.

Like a silent body pressed breathless between the floors.

Caught between the singing bird and the screaming silence.
Longing for the moment before the songbird had sung.

Knowing, like morning, it will never return.



(I think this was written in the late 1980s)

Monday, June 14, 2010

Don't You Wish To God I Would Just Shut Up? I Know I Do

So the thing is, I grew up in a small farming community in a place where there were almost no people and it was 100 degrees in the summer and 40 below in the winter. Wind blew every day. Every. Day. Population density less than 1 person per mile (so not kidding, almost no people). Weather could kill you. Snakes could kill you. Machinery could kill you. The occasional errant redneck could kill you.

See, there you go. Always talking, always going a little too far with the talking. I have always been this way. I grew up a relative weakling in a place where everybody was tough; a relative shrimp in a place where everybody was big. Little guy with a smart mouth, who could run fast - sort of. The only thing more dangerous than a big dumb guy is a big dumb guy who just figured out you are making fun of him.

Okay - again. Just shut the hell up. Is it my fault I think I am so clever and amusing? Well probably it is. But I have had help. Others have goaded me on.

A girl I used to know told me once, I love the way you think but I hate the way you act. This does kind of sum it up. I could shut up if I just found somebody who I felt was saying something more interesting than what I plan to say. It does happen. Just not too often.

My wife says I am good at always making everything into something about me. It's good to know I am good at something at least. But it would be hard for me to dispute this point she is making; I love her and I wish I could say she is wrong but I just got nothing to back up that argument. When somebody is talking on and on I start thinking, this is OK I guess but they should hurry up because what I just thought of, what is going on inside my head is so much incredibly more interesting to me than this stuff. I try to be polite and let the speaker finish saying the relatively uninteresting things they are saying before I start amazing myself verbally with my own cleverness and the artful turn of a phrase. But I don't always succeed. And somehow, who knows how, but somehow I always seem to not know what somebody was saying five minutes ago. It's downright embarrassing is what it is.

So I can turn almost any conversation around until it pertains to the very interesting things that I am thinking about. Is this wrong? Is it really my fault that at almost any time, in almost any place, I have the most interesting mind in the room? And I have such interesting experiences. And interesting viewpoints on those experiences. Of course I overthink every damned thing there is. Wouldn't you? It's the only thing I am skilled at. Thinking. There are reportedly those who love the way I do it, or so I have been told - see above.

But then of course I do something stupid. I say something stupid. I follow a clever, incisive or (let's face it) brilliant observation with remarks that indicate - oh oh, now he's gone too far. He really shouldn't have said that. Now there will be trouble. And so on.

Being kind of smart doesn't mean you never do or say something kind of stupid. In fact being kind of smart and talking incessantly without ever listening to anybody else, kind of guarantees that you will say or perhaps even do something transcendently stupid. I think I'm kind of smart (remember, there's all the overthinking going on). Let's say I'm 7 on a scale of 1 to 10, smartswise. But I think I am really really interesting and clever - we'll give that a 9.5 just because it would be kind of egotistical or even narcissistic for me to give me a 10. So far we are doing pretty good then (average of 8.25 out of 10 at this point). With an average like that I got admitted to law school (but then I quit). Isn't that interesting? That is an interesting average I think.

Now we run into trouble though. Next up, what is my skill level? Well, I am educated. But no, that's not a skill. And I am very articulate. But so what really? What can I do? Am I professionally trained to do anything, do I have experience actually doing things? Not looking so good here. Going to have to drop me clear down to maybe a 3 in this category which now means the average is shot all to hell. I can't build anything, I can't really operate much of anything, I definitely cannot fix anything. My hearing sucks and I only speak one language (unless you count provincial hillbilly as a second one). Not really mechanically inclined. Definitely don't understand computers. No blue collar capabilities at all really. I can argue pretty good, I can regurgitate trivial and nonessential information in great detail about subjects that almost nobody cares about (i.e., vintage comic books, 1950s blues music, 1960s baseball players, Western European history, poetry written by Jim Carroll, etc.). Seems to me I only have one real talent that has ever advanced me or made me sort of a living. I can talk. Boy, can I talk. I can string them words together so it sounds like I might actually know what I am talking about when probably I don't. So that's what I do I guess.

Those who can't do, talk about it instead. Not really teaching unless somebody else is listening and you actually know what you are talking about.

And speaking of that - is anybody out there still reading this crap? In fact was anybody reading it at any point? C'mon. I'm being a little clever here you have to admit. I'm not really ramping it up to be super clever or ultra interesting. I'm just kind of cruising with it. And hey, guess what - it's all about me. This is in fact what I appear to be best at.

When I was a kid it became my goal to always make somebody laugh. It was more fun when I made them laugh at an inopportune time (like my cousin when he had a mouth full of jello), or when I got them to laugh at somebody else - particularly somebody else who would just kick the holy living shit out of me if they knew.

But remember, I have always gone just a little too far. One needs plausible deniability. If you are caught red handed, if the wrong guy overhears your bullshit, the fact that you are a way better arguer or a way more clever talker or even way smarter than this guy, isn't going to do any good. They are going to fucking kick your ass at this point. End of story. The only thing to fall back on is the fast running, which is a short term solution, a stopgap measure. In a place where there is only 1 person per square mile, you are still going to cross square miles with that person again at some point. Even dimwits have pretty great revenge memory. This situation is not good.

So we are right back at that point, the salient question here - when in the hell am I going to just shut up? In some pathetic attempt at validation I am always trying to impress somebody with my cleverness. Even people I don't really like I am trying to impress them. Usually this doesn't cause much trouble with people I don't like or don't know (because I don't care what they think, at least not much - just so long as I got their attention). But when it involves somebody I like, and who I really would like to like me - I ALWAYS SAY TOO MUCH, I always go a little too far. A clever point with precise timing turns into an embarrassing blather when the timing breaks down and the word salad rushes into the gap in sound that has been initiated. It's probably true that the likelihood of this goes up slightly when a good looking woman is involved. I'll admit that. So I am a lecherous old coot. So sue me. Man, I tell you. I can say and even do some of the stupidest shit you can imagine.

I must somehow feel inferior even though I think I am superior to most folks in the ways that matter to me. If I wasn't so insecure why would I be trying so hard to impress somebody that I think I am superior to? Answer: I must not really think I'm superior - or else I just don't think they know I am and why do I care if they know unless it's just more insecurity? Why would I want to be superior? Or think I am? I am just a jibber-jabbering jackass and all this piss-poor prattle just proves it. No wonder the big strong rednecks always tried to clobber me and the rattlesnakes always tried to bite me and the winter weather always tried to freeze me. I am an idiot. A self-centered asshole. No use denying it.

Because after all, it's all about me now, isn't it?

And now if you will excuse me, I am going to go get a pizza (with what I know to be the best possible toppings on it). And I do thank you for reading this stuff - which has been all about me if you haven't noticed or if I haven't mentioned it lately.

Sunday, June 13, 2010

More L.B. Cole - Satan and the Shit-Faced Santa






Due to the overwhelming response by absolutely no one, I'm going to put up a few more great L.B. Cole comic book covers (well it is my blog after all, and I think they are cool, so bear with me I guess). Star Publications did a whole line of kiddie comics which included a number of Christmas covers. Cole's rendition of Santa Claus invariably looked as if the jolly old fellow had jollied himself up a bit too much, maybe with a bottle of Christian Brothers' brandy. Honestly he reminds me a bit of my dear and departed old Uncle Harold. So maybe it's just me. Cole also had a penchant for Satan covers and did a number of them - two are shown here. The Mask Comics cover is considered a true classic and was produced in 1945 for a different publisher (this was before Star existed as a comic book company). Again, you can click on the individual images to enlarge them. Thanks for looking.


Saturday, June 12, 2010

The Art of L.B. Cole - Pop Art Comic Books Before There Were Pop Art Comic Books







Leonard B. Cole was one of many memorable comic book artists of the 1940s and 1950s who left a definitive and distinctive mark on the history of comic book development. As some of my 5 or 6 readers know I have collected old comic books for decades - just for the heck of it I thought I would post a few images here. In the early 1950s Cole was Art Director (meaning, in charge of about everything) at a small comic book company called Star Publications. With perhaps 2 exceptions, every comic book cover that was published by this company (there were several hundred) was created by L. B. Cole. His art style is unique and unmistakable. He used bright, garish colors combined with some outstanding line work to create a series of covers in a style that will never be duplicated. Some describe his work as "psychedelic" though that is probably reading something into it from a future perspective. In any case - here is a sampling of a few of his classic comic book covers, taken from various comic genres. If anybody has any interest in seeing more stuff like this - let me know. I have over 100 different L.B. Cole comics in my collection and have thousands of other interesting specimens (i.e., interesting to me and some of my geek friends). PLEASE NOTE: You can click on each image to enlarge it (and the more times you click, the larger it becomes - cool!). Thanks.


Sunday, June 6, 2010

PAINT IT, WAYNE

(this is the third entry in the "Oscar" series of stories.
Earlier Chapters: #1 Oscar and Someplace You Don't Want To Go - posted 4/13
#2 Moose and Molly And The Double Wide Bird of Paradise - posted 4/29)



Out in the hills the animals are the people and the people are the animals.

This is something Oscar was fond of saying for a time. Of course he would usually bring it up when we were having a discussion about eating spaghetti with or without parmesan, or while I was grinding the valves on a '39 Plymouth that actually needed new shocks instead of taking the old flathead all apart and screwing up something that didn't really need screwing up. I used to repair cars for people but the results were so unsatisfactory that I gave it up and went to just small engines like lawn mowers and rototillers. I'm particularly fond of two stroke engines. They don't even have valves.

Oscar used to help me when I worked on cars. I don't really have him helping me with mechanical stuff anymore, and not just because of all the cigarette smoke and the sparks and the gasoline fumes. He used to try and set the points using a piece of straw as a feeler gauge. The funny thing was when some of the cars ran better that way. And he also flipped a coin when setting the timing - he had some method for turning the distributor based on some mathematic formula he attributed to a column he claimed to have read in Hints From Heloise in the newspaper. Pretty sure that particular column was never actually published.

At one point a lot of cars around town stopped running all at once. Somebody was talking to Oscar down in front of the Rexall drug store when he started coughing, then reached into his pocket and took out a handful of rotors wrapped in a handkerchief, and gave them over. Then he reached into his other pocket and took out another handful. When he had passed all the rotors into the hands of his listener, Oscar said "Seven Up. You like it. It likes you." Then he went home. It ended up a guy who worked at the grain elevator and who had gotten several of his fingers cut off by a railroad car was able to sit down with the rotors and sort it all out and eventually everybody's car was on the road again. As far as I know, nobody ever really discussed this with Oscar at length. But somehow everybody's gas mileage was considerably better after this incident.

But I started out mentioning something about the animals. Now in a little farming town in the windy old flatlands of eastern Montana you are pretty close to a lot of different animals. It's a rare person who isn't comfortable around a lot of things that are constantly crapping where you might just haul off and step in it if you aren't careful. I don't know for sure but I expect that most city folks don't walk around stepping in huge piles of crap, or having to work real hard not to - I suppose some of them go out on the street and go down by the sidewalk cafe with a dainty parasol over their heads and slip on a little turd left behind by some dog named Fifi who regularly got trimmed at the poodle parlor and then accidentally let a little one go on the curb before she got loaded into the car to go home.

My old dad grew up with a lot of horses and cows and pigs and even sheep around. Also chickens, maybe some geese and turkeys. On our place we really didn't have that much livestock except for a pen full of chickens. I think my father was sick of certain animals by the time he came back from the War; after I was born he bought a place bordering the ranch where he grew up but he stuck with the farming pretty much and steered clear of working with large animals.

Two things he used to say to me when I was young. One: "Never work where other things have been shitting." And Two: "Never work with your head lower than your ass." I wish I could say that I had followed this advice, especially Number Two. But probably there's some advice that you get that you know isn't really meant to be taken.

I reckon that the point here is, in a place like this you can have a different type of interaction with the animal kingdom. It all kind of boils down to a different kind of approach I think - when you maybe know an animal that at some point you might end up eating, or in some other way owing your life to, it's kind of an equalizer. The society dame and her poodle are not going to be looking at each other that way.

Some people seem to develop a type of connection that goes way beyond what ordinary folks will experience or even believe. Maybe they are just born that way. We have a fella here who has kind of an understanding with a lot of the animals. His name is Wayne and I think I've mentioned something about him before.

* * * * * * *

One day I was standing around Wayne's garage as he was working on an old car. Rayland San Jose was there as well; he and Wayne had been drinking some beers and talking about flying single engine airplanes. Actually they got to talking more about building small airplanes, "kit planes" or "homebuilts" they called them. Both Rayland and Wayne were pilots; in the sense that, they could fly a variety of airplanes of different types and sizes. There really wasn't any discussion going on about anybody having, or not having, a pilot's license. Or anybody having had said license but having it been revoked. As Wayne tinkered, Rayland drank beer and I stood there wondering about what I was going to eat for supper. The old radio on the workbench was playing rock and roll music in the background and after awhile we all sort of lapsed into silence.

A car door slammed out by the road and we could hear the gravel crunch as someone with real hard soles on their city shoes stepped towards the garage.

Wayne looked over his shoulder and there was a man coming up behind him. There was a dog walking along a few feet behind the man.

"Hello, Howard," Wayne said. "How's that sore leg that was messing you up?" Wayne turned back to the carburetor he was messing with as he spoke.

The dog stopped, looked at Wayne, and panted in that sort of way that kind of looks like a smile when it's on a dog's face.

The man stopped too but instead of smiling he just looked bewildered. He looked at Wayne, then at us, then at the dog. He cleared his throat a little and then sort of fidgeted with his shirt tail where it had come just a little bit untucked from his waist band.

"Hello, sir, may I have a moment of your time?" the man asked. For a long moment Wayne gave no indication that he had heard this question. We knew that he had, but wasn't decided as to whether it was worth acknowledging.

"Might depend on what you plan to do with it." Still looking down at the carburetor.

"Er - uh, my name is Garth Waters, I'm a writer for the Great Falls Tribune. I'm in town in search of what you might call a human interest story. Is your name Wayne Pittenger?"

Howard the dog sat down and acted like he was interested in watching to see what happened next.

As usual Wayne was dressed in dirty coveralls and had on a nondescript and well worn tan cap, a baseball cap I guess you'd say - everybody around here wears them but not much baseball ever gets played. "Human interest," was Wayne's eventual reply to the reporter's question

The man was youngish, a little overweight, actually a bit dumpy looking and not too tall. He was not dressed like a farmer, or rancher, or probably anybody who would have been from this place. Even in Great Falls he might have looked a bit out of place. He looked to me like somebody whose wife didn't own an ironing board because all the laundry got sent out; somebody who knew how to tie a necktie (as opposed to a bolo tie) and had had occasion to do so in the past 24 to 48 hours.

Taking Wayne's response as somehow affirmative, the man strode forward a couple steps, at the same time removing a small notepad and a pencil from the breast pocket of his jacket.

Nobody in this town of course actually ever wore anything that would be what you might describe as a "jacket" with a "breast pocket", unless somebody they knew was newly married or dead.

"Yes then; well, I'm here because there is some talk that you, sir, are somewhat of a local colloquial legend. That you have some rather, shall we say, unusual abilities that set you apart from the rest of us. I wondered if I could speak with you about this?" Garth Waters seemed to be picking up a bit of momentum as he spoke. Howard looked from Mr. Waters to Wayne, and then back again. I looked at Rayland but he was looking at the ground like he was carefully deciding whether or not the situation merited having another beer. I reached over and turned up the radio just a little bit.

Wayne chewed snoose. He was one of those guys who could chew tobacco without ever really having to spit. Unless he wanted to. At this point in the conversation (if that's what it was) he managed to spit within about a foot of Mr. Waters' shiny clean shoes. He did this without perceptively having turned his head or even looking towards the interviewer in any way.

Howard wagged his tail. He apparently was starting to like this.

"Set me apart from the rest of you," Wayne said. He was more muttering it than actually speaking, so the reporter was leaning forward to hear, in spite of his newfound concerns about the expectoration situation.

"Yes, sir, well I was told that you have an odd sort of rapport with members large and small of the animal kingdom, is this so? That you can relate to many animals on a very personal level - I was led to believe that you own a pet skunk who comes into your house at will and with which you are able to converse. Can you tell me anything about this remarkable claim?" The reporter's hand was poised over the little notebook as he said all this. He was holding both hands out in front of him and his eyes had narrowed a bit.

Wayne tapped his screwdriver handle on the float chamber of the carburetor. "Don't sound like it's stuck," he said. This observation appeared to be directed at Howard. In reply the dog stood up, turned around, and sat himself back down. His attention remained focused on Wayne.

"Mr. Pittenger?" the reporter said, just a bit tentatively. "Sir, did you hear what I asked you?"

Wayne still had his back to the reporter and there was no real evidence that he had ever looked at him directly since he arrived. He gave his head a quick jerk straight up and backwards, bending his neck back as he somehow simultaneously spit. It looked at first like he was spitting a great glob of tobacco juice straight up in the air, but in fact it looped over the top of his head, above his cap, and landed behind him, a few inches closer to the newspaper man's foot than the previous shot. Now Mr. Waters recoiled with a jerk and looked alarmed. There was a sort of FOOSH sound as Rayland San Jose popped the top on another can of beer.

"Don't own no skunk," Wayne said. "Nobody does."

Mr. Waters was looking a bit disgruntled, even though he was still somewhat intimidated by the display of tobacco juice marksmanship which he had witnessed. "Sir, I must say," he said. "I don't mean to bother you and if you don't wish to be interviewed, you can just say so and I will withdraw. I'm trying to be polite and I don't think rudeness is going to advance the conversation on either side." He shifted his weight back and forth from one foot to the other. I could see he was starting to wish he had not set out to put together this particular human interest story - the human he wanted to talk to clearly had no interest.

"Wayne looked over at Rayland. "So you're pretty much a Pitts man - do you think a Pitts would be a better plane for flying under power lines? Seems to me like being a biplane it might make it tougher. Not that that's all bad. I like it when them cars hear me comin' but I don't want 'em to hear me too soon or else when I come under that power line and cross the highway right in front of 'em it don't surprise them as much as I'd like. So d'you think like a Model 14, or an S 1?"

Rayland and Wayne started to casually debate the best type of homebuilt aircraft to use when harassing unsuspecting drivers. Wayne was apt to fly a plane anywhere, land it anywhere, maybe if he was lucky even take off from about anywhere - not sure he thought that much about the takeoff until he was already landed. Rayland's methods were a bit different and didn't involve the seat-of-the-pants landings and so forth, unless it was absolutely necessary. When we were in high school he and his cousin Stu had hooked the landing gear on a Citabria on a power line while buzzing Rayland's old man out in the yard at their farm. Good thing that wire broke and didn't wrap around. It was a close one. Nowadays Rayland's favorite trick was to fly over somebody's house on their birthday and drop a German chocolate cake on the doorstep or maybe the roof.

Meanwhile Garth Waters was now looking pretty much exasperated by the whole situation. He stomped his feet a couple times and when there was a gap in the conversation was quick to speak up one more time.

"Well the fellow who directed me to come up and talk with you was apparently mistaken when he said it would make an interesting story. It's clear that you don't really want to talk to me or maybe anybody else who would like to know more about you. I don't know what is wrong with you people around here."

I noticed that a Rolling Stones song was just starting on the radio. It was one of my favorite old rock songs, with a very distinctive driving beat. Somehow the beat always made me think of a bullfight. I tuned into it to listen a bit.

I see a red door and I want it painted black
No colors anymore I want them to turn black

"Howard," Wayne spoke to the dog. "Would you go see if you can find Jane? I want to know who's been telling all these people all this crap about me." I knew that Jane was the name of one of the skunks that Wayne sometimes let into his house.

The dog stood up and trotted off towards the road.

Next Wayne spoke to Rayland, still not paying any attention to the reporter. "Somebody I think turned me in to those FAA bastards after I flew in front of them from under the power lines out on Clacker Highway. They didn't know who I was but I think they gave a description of my plane."

Rayland frowned. "What were you flying? That bright yellow Deuce?"

"Yup." Wayne had built, and now flew, a Bakeng Deuce, a homebuilt with a colorful and distinctive yellow and red paint job. His was the only one in the area, as far as I knew.

I see a line of cars and they're all painted black
With flowers and my love, both never to come back

Mr. Waters the news reporter started to take a step forward, towards where Wayne was standing. He also started to say something. It began "I'm sorry I wasted my time --".

Wayne, still not turning around, cut him off.

"Hell, no problem. Waste all your time you want. But maybe you can help me with something while your doin' it. Take a look at this carburetor for me will you? Would you say this is an updraft or a downdraft?" About as fast as lightning Wayne threw the carburetor over his shoulder, a blind shot heading straight for the reporter's head.

Well I saw that guy's eyes open to about five times their normal size and then his whole head just sort of dropped out of sight. This was on account of when he jumped because of the projectile rocketing towards him, his fancy shoe slipped in one of the big globs of tobacco juice that was on the concrete floor where he was standing. That silly looking bastard slipped and went down like a bundle of rocks through a tub of feathers - or as we would say around here, it dropped him flatter than a wet turd from a tall cow's ass. Somehow the music cut into my thoughts again.

I look inside myself and see my heart is black
I see my red door and it has been painted black

His head bounced just a little bit when his back hit the floor; not too bad by the sound of it. I looked him over but he was still moving around and groaning some, and I figured he would wake up on the concrete and get himself put back together before too long. I was just wondering if Wayne would have closed the shop door and driven off in the man's car by the time that happened.

Wayne's attention, which was momentarily directed at the writer, now turned back to Rayland. "So what the hell should I do? If them Feds get a look at that plane it's gonna be a hard thing for me trying to steer them off the track."

Maybe then I'll fade away and not have to face the facts
It's not easy facing up when your whole world is black

Rayland glanced down at the prone figure of the reporter in the driveway and sort of shook his head. He really got a kick out of Wayne. We had all been in the first grade together, but somewhere around second or third, they had decided to hold Wayne back. I'm not sure when he actually graduated.

"Wayne," Rayland said. "for Christ's sake. Even you ought to be able to figure that one out."

I still didn't know what I was going to do about supper but I wondered if in addition to all the beer maybe there was a bottle of Seven Up around there somewhere that I might get my hands on.

Friday, June 4, 2010

Testing 1 2 3

I winced as my brother's broom raked my sandy naked back. It reminded me of the torture machine in Kafka's Penal Colony. I never read that book.

My brother died at the end of Main Street. It was in the local Holy War, the uptown Methodists versus the Christ Lutheran boys from down by the water tower. A no-holds-barred Sunday afternoon of all-out action and adventure. There was no religion in my town.

I was incarcerated for locking myself in prison. Inside we sang songs and carved busts of famous gangsters, using bars of Irish Spring. I've never been to jail.

In the Gambles store near my house there were three different size holes in the front of the old wooden counter; they were originally used for dispensing various sizes of rope by the yard. Old man Beaumont told me to stick my finger through a hole. Then he would grab it from the inside. His crazy brother took his hogs over to the hospital and tried to get them vaccinated for the swine flu. Me and another kid stole a couple of LPs from that Gambles. He was kind of fat and we stuck them down the front of his coat while somebody else kept old Beaumont busy looking at pocket knives. I got Meet the Beatles that way, those four famous faces in that classic pose, warped around a massive jacketed belly. Then "ziiiip" and they were gone. That store never sold records.

My brother caught me rolling naked at the sand dunes down by the river. "Get up!" were his angry words then he roughly cleaned me off and threw my clothes at me. I never had a brother.